Marton Papai

With a career spanning over 20 years in Motion Graphics and editing, I’m lucky enough to do something I love for a living. Starting in broadcast and advertising, I worked for small boutique studios, as well as leading advertising agencies and post houses

I’m a senior generalist. Having worked as a solo artist and a lead, technical director on dozens of projects. I’m confident in taking on complex and demanding films like experimental, and large scale projections. Quick turnaround videos with as little as a draft script, or social animations with dozens or hundreds of outputs.

Post Production has always been pushed by technology, and I’ve always kept my skills up to date. Time and time again complex, time consuming jobs turned into a single button push. Keeping things clean and simple, deep knowledge of imaging and computer hardware helps me hit the marks.

The last few years I dove deep into AI imaging, sound and experimental animation software. I built custom AI tools for myself, and production pipelines for clients that can save time, or turn around near impossible requests right at the last minute.

Animation software: After Effects, Cinema4D, Cavalry, Blender
Editing software: Premiere, Davinci Resolve
Stills Software: Photoshop, Illustrator, Figma, Comfy UI (AI), Midjourney (among others)
AI, AI editing: Runway ML, Kling, Veo3
Special skills: Post Production-specific IT, Pipeline build for demanding projects, Technical Director for large scale projections
Recent highlights:  Vivid Customs House (Finishing), Osaka Expo 2025 (Lead), Guinness Storehouse Dublin (Lead)